This French documentary tried to be this decade's "Koyaanisqatsi" by stealing everything Godfrey Reggio invented in the eighties. Mixing 'à-la-qatsi-fast-motion' scenes with interviews of Gorbachev, Lovelock, Maathai, and Morin, did not bring the inventivity this movie lacks. Putting bad music instead of Glass didn't help at all, either.
Still, the subject is utmost important.
Maybe "Home" is this decade's "Koyaanisqatsi" ?
Still, the subject is utmost important.
Maybe "Home" is this decade's "Koyaanisqatsi" ?
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