This sequel does not have the spontaneity the first opus had, spontaneity which gave the entire flick such a frightening style. Anyway the good point of this second movie was the way they found a good story to follow the - already very good - first one.
Dickens' story is beautifully represented in this movie. And Dickens' London is shown in a way we would never had hoped to see...
Contrarily to the strange poster of this flick, "Zombieland" came out to be a very good comedy. The best part is when a secret guest star enters the film...
This new Dupontel flick is a bit less dark than "Bernie" and "Le créateur" but still very fun. Dupontel keeps on his idea of a 'social cartoon', with much talent, and wonderful actors, amongst whom Catherine Frot and Bouli Lanners, both in very original parts.
Nothing much original in this movie, except the fact that it's the first time François Damiens gets such a non-comical character. And also, the fact that it was out in theaters just 2 weeks after Jocelyn Quivrin's death.
It is so rare to see feminism nowadays in a movie, and above all in a movie that you can see in theaters. The only way you could not learn, laugh, cry, while watching this masterpiece documentary, would be because you are anti-feminist (and therefore, one of the morons we had a glimpse at, in it). Or worse, you could be Éric Zemmour, who actually tried to stop "La domination masculine" from being shown to the world (how can someone be so proud of their penis when they actually don't have balls ?).
A beautiful adaptation of McCarty's story about a father and his son being among the last "carrying the fire" of humanity, in a world that falls apart.
Despite a good trailer showing the audience attending the public premiere of the film and freaking out, there is almost nothing but some stupid american standard couple (he's a wannabe homeworking trader, she's a student, they live in a huge house in San Diego...) with the weird idea of filming themselves while asleep, and hoping to catch a demon...
